James Hey Ma 2008 Eosint
James-Hey_Ma-2008-EOSiNT
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  ÃÄÄÄÄÄÄ Release Info ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ Þà ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ à ÄÄÄÄÄÄÄÄ Þ
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   Originally released : 04-07-2008
   Release date    : 01-15-2010
   Album name     : Hey Ma
   Artist       : James   Ripped by      : br549
   Genre        : Alternative
   Label        : n/a   Encoding Software  : Lame EOS
   Quality       : -V 2   Tracks       : 11
   Size of Files    : 68,2 MB   Ä Track list ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
    01 05:23 Bubbles
    02 04:10 Hey Ma
    03 05:10 Waterfall
    04 03:43 Oh My Heart
    05 04:15 Boom Boom
    06 03:46 Semaphore
    07 04:27 Upside
    08 02:49 Whiteboy
    09 03:39 72
    10 04:37 Of Monsters And Heroes And Men
    11 04:21 I Wanna Go Home                Total time: 46:20 min
   Ä Release notes ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä   Seven years is not an extraordinarily long time between
   albums for bands in the new millennium (some bands take
   considerably longer), so only those who pay attention
   closely might realize that James split and reunited in
   the seven years separating 2001′s Pleased to Meet You
   and 2008′s Hey Ma. Apart from the lyrics — the title
   track opens with an overt 9/11 reference, as Tim Booth
   sings “now the towers have fallen” — Hey Ma is such an
   extension of the band’s signature sound that it’s
   possible to think no time has passed at all, yet that
   isn’t quite accurate. Not that the band went out on a
   low note, but James do sound revitalized, energized by
   the time apart and, perhaps more importantly, sounding
   connected to the time at hand, making music for a world
   in turmoil that needs more voices of protest and hope.
   Parallels to the fledging years of James cannot be
   ignored, as the band came to be during the pre-Blair
   and pre-Clinton years of the ’90s, when there was a
   serious strain of seriousness within rock & roll,
   thanks in part to the crusading of U2. James shook this
   stiffness a few years later when they collaborated
   heavily with Eno, but here they reconnect to the
   crusading spirit of their earliest work without
   abandoning the sonic adventure of their late-’90s
   albums. This means that Hey Ma is intriguing and
   infuriating in equal measure, as Booth does have the
   tendency to raise his voice too high in protest. That
   may rub some listeners the wrong way, but perhaps in an
   affectionate way because there’s a certain charm in how
   Booth has no concern about whether he goes too far,
   either in his lyrics or vocalizing. In 2008, there are
   many bands that attempt the kind of grand, sweeping
   sound as James — think all of the post-Radiohead groups
   that are equally indebted to U2 but are graced with the
   personality of an Oasis knockoff band — but James do
   have more quirks in their sound and plenty of quirks in
   Booth, who is always willing to act like a fool if it
   is in service of the greater good. These are the things
   that make Hey Ma a welcome comeback even for those
   listeners who may never have been big James fans —
   after all, even if they’re not quite to your tastes,
   it’s nice to know that James are out there taking
   chances, unconcerned whether they succeed or not.   Ä Contact ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
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